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While Dylan goes to visit Emma, Audrey checks into the motel and meets a very suspicious Norma.
Bates motel all seasons serial#
For now, he’s more like a wild animal than a serial killer. They may actually have to rein him in, if they plan to eventually match the conversational Norman Bates from Alfred Hitchcock’s classic. Unlike the first three seasons, in which he was often functional, it seems like this season’s Norman will be hard to keep under control. Norman can’t distinguish real from fake, good from bad. First mom is baking cookies, then she’s killing Bradley. Still at the hospital, Norman is struggling to understand the intermingled flashbacks of his fractured brain. He’ll see him after Norman’s released from County. She switches from the sexual approach to the sympathetic one. Gregg Edwards (Damon Gupton), and tries to flirt her way to the top of his personal waiting list, but he’s gay. There’s a long waiting list and she can’t afford it, but she’s nevertheless determined to get Norman admitted. Also, Audrey is framed as a parallel to Norma: The former turned from a sick child and ran, while the latter put her sick child in a bubble.Īfter going to Alex to ask for help, Norma goes to the prestigious Pineview Institute for the mentally ill. I like seeing some more background for Emma, who makes it through the surgery. Will is not having it, and kicks her out of the hospital. The surgery is just getting started when Emma’s estranged mother, Audrey (Karina Logue), shows up. At Portland All Saints Hospital, Dylan sits with Emma’s father, Will (Andrew Howard).
Bates motel all seasons professional#
The writers are clearly using this story line to draw parallels - perhaps if Norman had gotten help earlier, or if his mother could afford professional care, then all that bloodshed could have been avoided. Meanwhile, Dylan is at the opposite end of the care spectrum. Palma says, “If and when we need you, we’ll contact you.” Norma reveals that Norman has had blackouts, but that she hasn’t gotten him any mental help or medication. The doctor, Louise Palma (Elizabeth Greer), mentions that Norman is extremely agitated and violent. Norma’s façade of alleged protection for Norman is collapsing. Norma to the rescue! She learns that Norman is under 48-hour observation and there’s absolutely nothing she can do about it. We see Norman strapped to a gurney in the hallway of a dark hospital that’s straight out of Jacob’s Ladder. As Dylan heads off to the Ritz-Carlton of medical facilities, Norma is headed in the other socioeconomic direction. Dylan reveals that he has to go to Portland for Emma’s (Olivia Cooke) lung transplant he can’t go after Norman. A local catches him speaking to “mother” and corrals him with a firm knockout punch.ĭylan and Norma get the call that Norman is in the psychiatric unit of a county hospital in the next town over. He speaks to “mother,” saying things like “You can’t pretend like none of this ever happened.” Unlike previous episodes of Bates Motel, we don’t actually see what he sees this time, which makes him seem even sicker than usual. He’s talking to himself, stumbling through the woods. Norman wakes up dirty, bloody, and shaking.
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Meanwhile, Norman is missing and his brother Dylan (Max Thieriot) has been putting up posters to try and find him. Alex is infinitely more aware of his crime, and covers it up by sinking a boat with Bob’s body aboard. In that finale, Sheriff Alex Romero (Nestor Carbonell) shot Bob Paris (Kevin Rahm) and Norman had a fatal “episode” with Bradley Martin (Nicola Peltz), bashing the brains of his first crush against a rock. The season premiere, “A Danger to Himself and Others,” picks up right where season three ended. Is this the year when everyone learns how dangerous Norman Bates is? And how will Norma pay for enabling him? He is turning completely into “Norma,” his psychopathic alter ego, a variation on his mother Norma Bates (Vera Farmiga), the only person who truly cares about him and knows the depth of his evil. The tagline? “She wouldn’t even harm a fly.” In other words, there will be no saving Norman this year. The promotional art for the fourth season of A&E’s Bates Motel features Norman Bates (Freddie Highmore) clutching his pearls with a murderous look in his eyes. Photo: Bettina Strauss/NBC Universal / A&E Networks Vera Farmiga as Norma, Freddie Highmore as Norman.